Hester has a BA (hons) in Illustration and works from her studio in Horton-in-Ribblesdale. Her colourful and richly textured limited-edition collagraph prints reflect her appreciation of the natural landscape and are often inspired by things that she sees whilst out fellrunning. She is a member of Leeds Fine Artists, Printmakers Circle and Ålgården Studios in Sweden. Hester enjoys the creative space afforded by artists’ residencies and has created collections in response to subjects such as the Vale of York Viking Treasure Hoard and Nidderdale Museum’s bird egg collection.
She teaches printmaking workshops for ArtisOn Ltd & the Field Studies Council (at Malham Tarn Field Centre. She has also taught in schools and delivered workshops to artists' groups and organisations. Awards include an Extending Practice Award from Chrysalis Arts, which allowed her to work with the Mercer Gallery and the British and Yorkshire Museums. She created prints in response to the Vale of York Viking Treasure Hoard and these were displayed alongside the treasure at the Mercer Gallery. In 2015 she was one of ten artists selected to take part in Mirror Images, an international printmaking exhibition, which took place simultaneously in North Yorkshire, Scotland, Finland and Sweden. She was selected for the New Lights Prize Exhibition in 2015 & 2017. Throughout 2019 and 2020 she is working on a funded project with the Dales Countryside Museum in Hawes printing their extensive collection of wood engraving blocks created by Marie Hartley MBE: writer, artist and founder of the museum. She is also creating a new body of work inspired by some of the places written about in the books that Hartley collaborated on with Ella Pontefract. This is to be exhibited at the museum in summer 2020.
Click HERE to see a more detailed cv.
My printmaking is informed by my surroundings and wherever I am I seek out evidence of the natural world that is particular to that environment. I have spent most of my working life living in rural places and I am fascinated by the rhythms and cycles that occur within nature. Whilst an idea may be sparked by the written word, it is invariably my physical experience of a place that inspires a new piece of work.
As a fell runner, my excursions often take me to wilder less visited locations and I am outdoors in all weathers. The physicality of running combined with the solitude and necessary awareness of my immediate environment creates a visceral connection with the landscape that lasts long after I have returned to the studio. Revisiting the same areas repeatedly provides me with the opportunity to catch a glimpse of some of the more elusive birds and animals that inhabit these environments. It is these chance encounters that I find most exciting and that will often be translated into print. I invariably carry a camera to record details or to act as a memory prompt and I sketch and write notes and haiku to distil my ideas.
By using multiple plates, painted textures and intricate cutting in my collagraph printmaking I can accentuate the patterns that I find in the natural world, celebrate the colours found in nature and draw attention to the everyday occurrences that happen around us but that often go unnoticed or are soon forgotten.